Koman Exhibition at Istanbul Galeri Nev


(catalogue cover)

17 years ago, in 1990, Galeri Nev was exhibiting for the 1st time Koman’s limited series of bronze artworks. In 2006-2007 the gallery presented new bronze artwork copies, as well as 4 of the best iron sculptures of Ilhan Koman.

The 16 presented bronze pieces were studies originally made in clay by Koman in Paris in 1978, while he was working on the costumes, masks and stage design of a Dario Fo (Nobel Prize in Literature 1997) theatre play (‘L’Enterrement du Patron’ / ‘Funerals of the Boss’), directed by Mehmet Ulusoy at the Theatre de la Liberte in the Halles (Paris – France). Turkish artist Abidin Dino wrote an interesting analytical text about these artworks in 1997.

Series of these clays were posthumously cast in limited edition of 10 items, in Pietrasanta (Tuscany - Italy) in 1997, thanks to Kerstin Koman, Ilhan Koman’s 2nd wife, and thanks to the team of Galeri Nev. In 2005, the Koman Foundation made some other casts of other sculptures from these series in Istanbul. Some of these limited editions are currently on sale.

The 4 iron pieces that were also exhibited during this exhibition had been created by Koman between 1961 and 1964, during the period of his life that he used to call his ‘iron age’. French art critic Pierre Gueguen refers to these artworks in a dramatic article published in the revue ‘Aujourd’hui: art et architecture’, No: 31, May 1961.

This Galeri Nev’s Koman exhibition took place in Istanbul from the 8th of December 2006 until the 6th of January 2007. Melis Terzioglu has assumed most of this exhibition production tasks.


Koman’s art illustrates ‘Nublu Orchestra’
new record


(CD cover)

Ilhan Koman’s art illustrates Nublu Orchestra new record conducted by Lawrence D. "Butch" Morris in New York (USA) 2006.

The artworks chosen for the cover and the booklet of the CD and LP versions of this record were part of Koman’s 'Pi Series'. Photos were taken by Turkish-Swedish-American musician Ilhan Ersahin, member of the Nublu Orchestra and founder of the Nublu record label in New York, while these artworks were on exhibit, in Yapi Kredi Gallery, in 2005, in Istanbul.

Butch Morris is a renowned American conductor of contemporary and experimental musics. In this record, Morris uses his unique technique of ‘improvised conduction’ with musicians Ilhan Ersahin, Sylvia Gordon
, Didi Gutman, Jonathon Haffner, Graham Haynes, Eddie Henderson, Aaron Johnston, Daniel Jodocy, Michael Kiaer, Kirk Knuffke, Jesse Murphy, Derek Nievergelt, Mauro Refosco, Sabina Sciubba, Chantal Ughi, Kenny Wollesen, Doug Wieselman and Zeke Zima.

CD - NUB00011

Press Release extract:

With this recording nublu, in its fourth year as an alternative music venue here on New York City's Lower East Side presents its eponymous orchestra under the ubiquitous baton of renowned conductionist Lawrence d. "Butch" Morris.

Known for his method of composing in real time through a system of signals of his invention that allows him to organize a vocabulary of sound and rhythm coaxed extemporaneously from an orchestra into coherent compositions as they are imparted (much like skywriting, where puffs of seemingly indiscriminate smoke become language under the amazed eye, or action painting), Mr.Morris herein directs a protean assembly culled from the personnel of various nublu repertory bands such as Wax Poetic, Love Trio, Kudu and Brazilian Girls.

What ensues is a genre-bending landscape of collaborative composition that at times brings to mind the free jazz collaborations of Ornette Coleman and Eric Dolphy, while at others that electronic music of Oliver Messien or Scriabin Seasoned with more than a hint of funk. Imagine all the serialists under one tent with George Russell.

–John Farris, NYC



'Istanbul By Its Children' project

(IBIC poster)

In 2005, one hundred 7-12 year old children living in Istanbul and coming from very varied socio-cultural backgrounds took photographs that depict their life and their living areas.

An exhibition of these pictures taken with disposable cameras toured to 8 cities in France (Angouleme, Paris, Savonnieres), Germany (Berlin), Italy (Seravezza), Portugal (Caldas da Rainha) and Sweden (onboard of Hulda sailing boat in Stockholm and in Drottningholm) during 2006.

'Istanbul By Its Children' (IBIC) project was a continuation of Koman Foundation’s ‘Art For Our Town’ (AFOT) 1st children project, in 2005. IBIC initiated a 3rd children project called ‘In European Children Eyes' (ECE).

This project was coordinated by the Ilhan Koman Foundation; it involved a wide network of partners both in Turkey and in the EU and was sponsored by the European Commission and Turkish Airlines.

IBIC project's website


‘In European Children Eyes' project

(ECE poster)

200 young residents of the EU venues where the IBIC exhibition toured, including Turkish children living in such cities as Berlin, Paris or Stockholm also made their own photographs to respond to the initiative of Istanbul children.

During autumn 2006, a selection of these works from Turkey and from these 5 EU countries have been exhibited all together outdoor along the most popular promenade of Turkey (‘Istiklal’ / ‘the Avenue of the Independence’), as part of the IFSAK 2006 1st International Photo Biennial.

The Koman Foundation edited and published a 218-page quadri-chrome catalogue about the IBIC project (ISBN: 9944-5151-0-8) available on request from the Koman Foundation.

‘In European Children Eyes' (ECE) project was coordinated by the Ilhan Koman and was sponsored by the European Commission, the European Cultural Foundation & Turkish Airlines.

ECE project's website



Presentation of Koman’s work at the
‘Bridges London, Mathematics, Music, Art,
Architecture, Culture’ conference (UK)


(proceedings cover)

Tevfik Akgun from the Istanbul Yildiz Technical University, Communication Design Department, Faculty of Art and Design, Ahmet Koman (Ilhan Koman’s son) from the Istanbul Bogazici University, Molecular Biology and Genetics Department and Ergun Akleman from the College Station, Texas A&M University, Department of Architecture, Visualization Sciences Program presented at Bridges London (UK) a lecture and a workshop about the ‘Developable Sculptural Forms of Ilhan Koman’.
.
These 3 Turkish researchers are referring to this study in these words: ‘Ilhan Koman is one of the innovative sculptors of the 20th century. He frequently used mathematical concepts in creating his sculptures and discovered a wide variety of sculptural forms that can be of interest for the art and math community. In this paper, we focus on developable sculptural forms he invented approximately 25 years ago, during a period that covers the late 1970’s and early 1980’s’.


3rd 3-D Art Design Contest awarding
Ilhan Koman Trophy at Istanbul
Culture 2000 College


(Muharrem Aldev: winner)

Representatives of the Koman Foundation (Ahmet Koman and Fany Torre) were part of the jury of the 3-D Art Design Student competition organised by the Culture 2000 private College in Istanbul, the 28th of April 2006. A student received an ‘Ilhan Koman Trophy’ during this event’s award ceremony.

The Culture 2000 College chose Koman’s piece ‘Umaci’ (the ‘Ogre’) to illustrate the theme of this competition, where students were asked to create art pieces out of recycled material. This artwork was chosen as the emblem of this competition because when it was created in Sweden in 1960 it was one of the 1st artworks using rubbish (old radiators). At the time, newspapers in Stockholm referred to this piece asking to the public if it was to be considered as ‘art of just a piece of scrap’? Today, the ‘Umaci’ artwork is estimated to a value of several hundred thousands of euros.

The competition was opened to all college students of Turkey. Awarded young artists received grants lasting from one to several years to enable them to benefit from higher education art studies in the close future.


Koman exhibition in Istanbul Modern
Museum’s ‘Memory and Scale, 15 Artists of
Modern Turkish Sculpture’ show


(the exhibition)

A dozen artworks of Ilhan Koman have been exhibited as part of the ‘Memory and Scale, 15 Artists of Modern Turkish Sculpture’ show, from 10th of February until 10th of April 2006 at the Istanbul Museum of Modern Art.

Fifteen of the major modern and contemporary sculptors of Turkey were represented for the first time all together with an historical perspective.

This show, curated by Hasim Nur Gurel, Ali Akay and Levent Calikoglu, has been the widest sculpture group-exhibition in Turkey up to date. It has been highly frequented by the public.

Eczacibasi, Avea and Hedef Alliance sponsored this exhibition.